![]() “Being able to make a dream of theirs that they didn’t think was possible for years and years happen, is amazing - to never put a limit to what their capabilities are because they’re female, or their age, or their background,” she says. You can hear it in what she says she values about Fifty Fifty, working with authors who hadn’t been given a chance to see their work on screen. “I would never want to have my name or company just slapped on something because I want it slapped on. She’s careful to say she understands, she’s grateful just to learn, but also… “I put a lot of work into what I do,” she says haltingly. She recently shared a story about fighting to get Fifty Fifty’s credit on a project she produced and being told no, and she revisits the experience now. ![]() With Euphoria season 2 in the rearview mirror, her eyes are on the future and what she can build next.īut there are growing pains to that learning. She recently drove a more anonymous car for a 12-hour road trip to the set of her next film National Anthem, her rescued German shepherd-and-dalmatian mix, Tank, by her side. Now: A bonafide TV star and producer at 24 years old, with an inclination toward unreliable narrators, conflicted-yet-brutal teen heroines, young people with something to prove. Then: Sharp Objects, Everything Sucks!, The Handmaid’s Tale, Euphoria, The White Lotus. ![]() She began her career as a young teen, her parents driving her from their home near the Washington/Idaho border to Los Angeles for auditions. And always, always more eyes on her with each new character she embodies. Then there’s how it’s interpreted by journalists, by fans, and then filtered through a bad-faith social media ecosystem that tends to make everything look worse on the other side. With Sweeney, there’s what she’s saying, and there’s what she’s saying. ![]()
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